Signs of the Times reunites the poetry of Bud Osborn and the woodprints of Vancouver printmaker and painter Richard Tetrault. As with their first collaboration, Oppenheimer Park, Signs of the Times is both an unflinching look at Vancouver’s Downtown Eastside and a beautiful object in its own right.

Singer, An Elegy is a long poem memorializing the author’s father and, equally, the now-obsolete industrial culture that shaped him.

From the distinctly urban to the emotionally uncompromising, these three women express, each in her own voice, a cry, a laugh, a scream—the hybrid of which culminates in the call for imprint: A Siren Tattoo.

Powered by lush imagery and lyricism, the poems in The Sleep of Four Cities use the city as a metaphor for the complexity of self. This book invites the reader to take a journey through multiple cities—cities of memory, of desire, of imagination, of discovery, of loss—with only the map of language as a guide.

In this debut collection, Caroline Szpak is the grand ventriloquist, manipulating words and voices in strange and fantastical ways.

Snatch is a hilarious and creepy collection of poems that may not even be poetry at all. Like a comic novel from an alternate universe, or a fragmented hoax of an autobiography, Snatch picks at the vacuous horror of suburbia and exposes a world of small beauty and perfect moments amid TV-induced nostalgia and impending violence.

In his take-no-prisoners style of verse and performance, Avery poetry is alternately profane, brilliantly vulgar, unsettling, outrageously funny and brash in it’s lonesome courage, and unquestionably original.

The Song Collides takes the reader on a highly personal and internal metaphysical investigation into the state of the natural world—and then back via more lyrical and local enquiries that speak to each and every one of us. Life as an exchange: each of us takes in the world and then expresses it for ourselves and for others. This is a simultaneous and nearly imperceptible process that lasts, we hope, at least until the exit.

Suicide Psalms is both hymn and visceral scream—of loss, despair, hope and ultimately redemption. These poems are drawn out with quick precision, as if they were indeed written in haste, or delirium, before tightening the noose or firing the pistol or jumping off the ledge.

Sustenance: Writers from BC and Beyond on the Subject of Food brings to the table some of Canada’s best contemporary writers, celebrating all that is unique about Vancouver’s literary and culinary scene.